He was born in Aidini of Asia Minor in 1919 and died in Athens in 1998. In 1922 he fled to Vyronas as a refugee, along with his mother, his grandmother and his brother. He studied at the Athens School of Business, and took painting lessons from Yannis Tsarouchis. At the same time, he published articles and sketches in contemporary newspapers and magazines (“Elliniki Dimiourgia”, “Eleftheria”, and later “Avgi” and “Kathimerini”). He was a member of the “Armos” art group from 1949 to 1953. In 1953, he left for London, where he worked as a journalist for the BBC. He designed the sets and costumes for numerous films for the cinema and television, opera and theatre productions, most notably the musical show “Odos Oneiron” [Street of Dreams] by Manos Hadjidakis, in 1962, which was based on his publication of the same name, containing sketches from the 1948-1957 period. In 1964 he created, along with Yannis Tsarouchis and Evgenios Spatharis, the experimental art venue “Amy’s Ark”, in Plaka, Athens. He directed and acted in several plays and movies. With intervening periods of staying in Greece, he travelled and lived in various countries (U.S.A., Cyprus, England, France, Denmark, Spain, Sri Lanka), often collaborating with the local press and presenting his work as a painter. In the mid-1970s, he settled in Athens permanently. He published his articles and drawings in various monographs, and illustrated poetry collections, school books and other publications.
Minos Argyrakis
Works
Solo Exhibitions
2016
Minos Argyrakis: A Bohemian Traveller •
The Pulse•
Athens•
2001
The World of Dreams •
Ellinogermaniki Agogi•
Athens•
1997
Diana-Yiulia Gallery•
Athens•
1983
Athens Centre•
Athens•
1979
Evgeni Gallery•
Athens•
1976
Yanni Statha Gallery•
Athens•
1974
Athens Art Gallery•
Athens•
1970
Odense Museum•
Odense•
1968
Walton Gallery•
London•
1963
Athens, My Love •
Zygos Art Gallery•
Athens•
1961
Nécropsie cantabile •
Librairie anglaise•
Paris•
1959
Galerie Iris Clert•
Paris•
1955
Monica Payne Gallery•
Athens•
1953
Vima Gallery•
Athens•
2016
2001
1997
1983
1979
1976
1974
1970
1968
1963
1961
1959
1955
1953
Press
[…] I would say that Minos is an unusual artist, who has affinities with various things, but whom you cannot absolutely class in one category or another. He has a personality very much his own, and that personality touches upon the poetic, the satirical, the expressionist, the surrealistic… In any case, the general sense is very strong, of an aesthetic and aestheticized sensuality in his poetic works; a strong sense of realism and caricature in his satirical works. There are great contrasts of this kind, which, however, all collide in his work.
[…] Minos had an acute awareness of serving Greekness despite the modernity. He added a side of Greekness, which is satirical on the one hand, poetic on the other. He also had an element of poetry, and a unique artistic style. He belongs, therefore, precisely at that same point where modernism meets Greekness, and creates a Greekness very different to that of the previous generation. His works bear some features that are symbolic, mythological. There is an alchemy, it is the alchemy of nature in Minos, who had no knowledge of alchemy as a science, but he had intuition. There are alchemical images – similar to the couple in the tree, the woman emerging from the earth –, the alchemy of the subconscious, very characteristic of the dream state.
The surrealist element that we can identify in Minos’s work does not make him a surrealist. Minos’s surrealism has nothing to do with the movement. It was a personal expression. Mythology, symbolism, modernism, surrealism, all of it exists together in Minos. Minos is unclassifiable. He cannot be placed anywhere, because he belongs everywhere and he created a strong personality.
His Greekness, in addition, extended to the roots of dionysianism, the idyllic element of the forest. Minos was a polygamist, a paganist. His depictions and his compositions lead him easily into the mythological. And the way he illustrated Embirikos, the myths of Embirikos, is very distinctive, and that sort of thing is very popular abroad. Alan Ross of “London Magazine” was very excited about Minos, and published a lot of Minos’s work. That demonstrates that he found some recognition outside of Greece.
All the movements that were created in Greece were hybrids. And Minos is such a hybrid, too: poetic, satirical, modernist, surrealist, a ‘dreamer’, who was always creating his own paradise. His vision was a paradise, which he sought through Greece and through his travels. […]